In 2009 Julia learns she has
inherited a house in England from a relative she doesn’t remember from her time
in that country – when her mother was still alive. Living for the past twenty or so years in New
York City, having recently lost her job, she decides to fly to England to
undertake the sorting and cleaning of the house to prepare it for sale. While sorting she finds a well hidden
pre-Raphaelite painting of Tristan and Isolde: featuring a figure who could be
the former lady of the house.
In 1849 Imogen Grantham has been
married for a decade to a much older man she thought was the love of her
life. Now, old enough to know better,
she sees it was only a crush. Yet she
married him and is now bound to him. The
intellectual life she thought was ahead of her is unattainable and her husband
is no more than a stranger to her. Fond
of Medieval art her husband acquires items of the era, items which come to the
attention of the pre-Raphaelite painters who believe in painting from
life. Gavin Thorne comes to use the
artifacts in the backgrounds of his paintings and leaves one day with a
commission to paint Imogen’s portrait.
Over the course of their time together as model and artist Imogen falls
in love with Gavin and he with her. How
can their love live?
You know as soon as she finds the
picture of Tristan and Isolde that at least one storyline may not have a happy
ending. (Don’t worry the 2009 story more
than makes up for the tragic love story.)
Willig does a fine job, yet again, with unfolding two storylines through
alternate chapters. I suggest this one
for those looking for a romantic beach read with substance.